Routine asked what was AI and what was shot, so every card says both. Food and drink first, then the proof that this engine moves product. Each film plays here; each case opens in full on ritualads.com.
Pizza Hut Australia
In · Agency jnr. and production company Clockwork had to win one of Australia's boldest campaign pitches: how do you win a pitch for setting people on fire, before a single frame is shot?
Out · The pitch script taken from script to screen before production began, selling the tone rather than the description.
The result · The pitch won in the room: the Creative Engine gave jnr. and Clockwork the confidence to pitch at full strength and the client the confidence to say yes.
AI / shot · The pitch film was AI from script to screen; it sold the tone before a single frame was shot.
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Grey Poupon · Kraft Heinz
HAVE SOME STANDARDS
In · A full concept slate for the Kraft Heinz mustard house: Have Some Standards.
Out · A multi-film idea slate with frames and films, built to pitch standard.
AI / shot · An all-AI concept slate; nothing was shot. It lives in the vault on ritualads.com.
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Muscle Code
In · A 30-second direct-response commercial for a patented essential amino acid supplement backed by NASA and NIH-funded research.
Out · A spot engineered to convert cold audiences: it leads with the product's claim, up to 10X greater muscle synthesis than whey protein isolate gram for gram, and closes with a frictionless path to purchase.
The result · Cost per order reduced from $120 to $31, a 74% decrease.
AI / shot · The spot was built with the engine end to end; the closest case on the record to Routine's own category.
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Reebok x Angel Reese
In · Reebok's signature-shoe launch for Angel Reese, the most followed WNBA player across all social media.
Out · A production-ready previsualization delivered within 90 minutes, then the cinematic commercial built on that roadmap for the global launch.
The result · The Angel Reese 1 sold out globally within hours of going live, all three colorways, one of Reebok's fastest product launches in recent history. “This could rewrite the playbook for sports marketing.” · Marla Tellez, Fox News
AI / shot · AI mapped the full film within 90 minutes; the cinematic commercial was then shot and built on that roadmap.
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Martha Stewart
In · A national campaign to launch her new skin care product on Shopify, turning five years of clinical research into a luxury story, without a single practical set.
Out · The commercial, with not a single practical set used in production; midway through post-production she asked for a higher-resolution output for the largest screen in Times Square.
The result · A Times Square debut on the largest screen, seen by 1.5 million people daily, and three major publications.
AI / shot · Every environment was AI; not a single practical set was used in production.
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Temple & Webster
In · Australia's largest online furniture retailer imagined its first cinematic brand campaign as magical realism: a woman steps through a door in her living room wall and the world begins to answer her.
Out · Every room, move and transition mapped before cameras rolled; the actress's real performance stayed untouched while the Temple & Webster world grew around her, furnished entirely from the brand's catalog of over 200,000 products.
The result · The brand's first cinematic brand campaign launched nationally in July 2026 across broadcast, CTV and digital, in 30 and 15 second cuts. “Without you guys, this ad is not even going to air. You've smashed it!” · Temple & Webster
AI / shot · The actress's real performance was shot and stayed untouched; the world around her was AI, furnished from the real catalog.
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Minty
In · A national CTV campaign to introduce a new mascot, a new positioning and a new way to shop, with four :15 spots ready for Swim Week in Miami on May 28.
Out · Minty Dog as a hero character across fashion, beauty, pet and streetwear: one visual system, four spots as chapters of one story, each mastered for CTV and cut down for vertical social.
The result · Four cinematic CTV spots on air in time for Swim Week Miami, introducing the mascot, the shopping experience and the new brand identity.
AI / shot · The mascot, the worlds and all four spots were made with the engine; nothing was shot.
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The same engine carries a standing campaign system for a global QSR group, which this page leaves unnamed on purpose.